John Horn Host, The Frame
John Horn is the host of KPCC’s The Frame, a daily arts and entertainment program.
John has been covering arts and entertainment in Southern California for nearly 30 years. At the Los Angeles Times, he was a lead writer on the film industry for more than a decade, taking readers behind the scenes to examine the creative process and explain how Hollywood works, and why. In 2013, he traveled to the former plantation where “12 Years a Slave” was filmed with director Steve McQueen, and more recently charted how the story of Columbine came to a stage in New York and watched Angelina Jolie take on her first big studio directing job, the "Unbroken” story of Olympian and USC alumnus Louis Zamperini.
Before joining the Times, John was a senior writer at Newsweek magazine, a senior editor at Premiere magazine, an entertainment reporter for The Associated Press, and covered the television industry for the Orange County Register. John’s interest in the arts extends beyond film and he served on the board of directors of The National Arts Journalism Program, where he was a fellow in the mid-1990s.
John was a regular contributor to “The Business” on KCRW, where he also regularly co-hosted on-air segments and podcasts on entertainment news. Prior to joining KPCC, John was a guest on Take Two and AirTalk, including a memorable appearance in 2012 on the morning of the theater shootings in Aurora, Colo. Thanks in part to John’s contribution, that day’s program won a Golden Mike award for best live coverage of a news story from the RTNA of Southern California.
Stories by John Horn
Various U.S. presidents have been depicted as the doomed Shakespeare character. A New York Times theater critic says many people are misinterpreting the play.
Trey Shults says writing the movie helped him confront his fear of death and to deal with the grief of losing his father.
The Writer's Guild contract negotiations came down to the wire, and now it's time for SAG-AFTRA to step to the negotiating table.
Netflix got booed by the French press, filmmaker Sofia Coppola made history, and Jessica Chastain's comments about women in film went viral.
Robin Swicord knew she could make the film affordable and direct it herself. It was a strategy she employed after a big budget film she'd written was taken away from her.
What does a war movie look like in the Trump Era? One of the first is “War Machine” from Australian writer/director David Michod.
Before Netflix announced there would be no second season of the ambitious and expensive series, the filmmaker said he would bow out.
The documentary examines how The Grateful Dead found its sound and community, and made the charismatic Jerry Garcia a reluctant leader.
Following the Manchester bombing, NPR music critic Ann Powers wrote, "Young girls loving music, whatever kind of music, are truth. I believe in them and nothing can annihilate their truth."
The documentary investigates a mysterious murder, but then finds a bigger story about sexual abuse and the power of the Catholic Church in Maryland.
Charlie Brooker and his co-executive producer, Annabel Jones, talk about their dark sci-fi series that's been likened to a modern-day "Twilight Zone."
The fallout from the ill-fated Fyre Festival continues, with news that the FBI is looking into possible fraud committed by the promoters.
Dwain Worrell was teaching English in China when he submitted a screenplay through Amazon's open submission site. Weeks later he was headed back to the US with a movie deal in hand.
Anna Ziegler's play "Actually" delves deeply into the murky territory that often surrounds the he-said, she-said accounts of a reported sexual assault.
Tom Brady and a Washington Monument penis joke figure prominently in a joke theft accusation that may land Conan O'Brien in court.