Marc Haefele Commentator, Off-Ramp

Off-Ramp commentator Marc Haefele.
Contact Marc Haefele

Marc Haefele is an arts, politics, and literature commentator for KPCC's Off Ramp.

Haefele was a staff writer for LA Weekly, City News of Los Angeles, and the Morristown (NJ) Record. He has written for the New York Times, Los Angeles Times, Philadelphia Daily News, the Boston Review, Nomada de Buenos Aires and many other publications.

He cohosted the KPFK weekday morning drive time show in 1999-2000, and for the subsequent decade was city hall commentator for KPCC.

In the later 60s and early 70s, Haefele worked for Random House, then Doubleday publishers in New York, where his writers included Philip K. Dick, Steven King, Tom Disch, Marge Piercy, Kate Millett and Josephine Saxton. While at LA Weekly, he won the LA Press Club's Best Column award. He has shared Golden Mikes with his KPCC colleagues.

He has an M.A. in history from NYU and Cal State Los Angeles.

Haefele lives in Santa Monica.


Stories by Marc Haefele

LACMA’s mighty celebration of the Protestant Reformation omits Luther's anti-Semitism

The art the Reformation inspired is glorious, and LACMA's show is a mighty production, but Luther was the most prominent anti-Semite of the 1500's, and inspired the centuries of bigotry against Jewish people that culminated in Hitler.

Lichtenstein exhibit pops into the Skirball

Roy Lichtenstein very well might have seen himself as a great artist who was also commercial. Just like his key inspiration, the humble, stirring comics of his youth.

REVIEW: PMCA squeezes 840 miles of California's coast into one exhibit

California’s coast stretches 840 miles, encompassing breathtaking vistas, beautiful people ... and factories, cement mills, oil wells, and canneries. It’s never been captured in one art exhibit, until now at the Pasadena Museum of California Art.

Review: Helen Frankenthaler (at Gagosian Gallery) danced with Travolta, painted with beauty

Frankenthaler often used the word “beautiful” to describe her works. And, often, they are, but in a hard-won way that belies critics who saw the attractiveness of her paintings as a kind of softness.

Review: The ghosts of geese in the Getty's 'Real/Ideal' photo exhibit

Here's a rare and sweeping picture-window view of fast-evolving France of the 1850s in intimate detail, accomplished by some of the greatest photographers of that time.

Review: 'Haunted House Party' at Getty Villa a 'fizzy cocktail of ancient and new'

The Greeks of the classical period probes deep into the human predicament. Roman comedy probes deep into fart jokes; the funny side of prostitution; gross sexual allusions, and pure slapstick.

Review: Huntington's 'Blast' is the backstory to Getty's 'London Calling'

It’s 28 miles from the Getty to the Huntington, but you should make the trip to see “London Calling” and “Blast.” Together, they provide a rich, continuous century’s span of English figurative art we’ve seldom seen here.

Forget the vault! The Petersen Auto Museum's archive is an Ali Baba’s cave of gearhead lore

Petersen's vault gets all the visitors, but the genuine knowledge of the entire automotive era resides in the museum's huge archives.

Autry’s 'Revolutionary Vision' mavericks took old school photos of nature and the West

84 years ago, as small cameras were revolutionizing photography, American photographers like Ansel Adams and Imogen Cunningham took a backward step.

Groundbreaking artist Claire Falkenstein's infinite appeal seen in 2 new shows

Twenty years after her death, there are, amazingly enough, two generous shows of Falkenstein’s work going on in LA County. And there's always St Basil's on Wilshire Boulevard.

Curation makes Getty mosaic exhibit rock solid

As soon as mankind invented walled and roofed dwellings, men and women wanted to cover the walls and floors of their homes and palaces with beautiful pictures of their favorite stories.

Patti Smith, Robert Mapplethorpe, the Getty and me

Marc Haefele reviews Patti Smith's performance at The Getty -- her late former lover Robert Mapplethorpe as background -- and remembers the favor she asked years ago.

How milk bottles and snow made Joe Goode's career

“Duchamp to Pop,” at the Norton Simon Museum, pays tribute to two landmark shows held in Pasadena in the 1960s. Artist Joe Goode was there — and he's still painting.

Veteran journalist on working in newspapers: 'I'm dyin' here'

Marc Haefele reviews “I’m Dyin' Here: A Life in the Paper,” by Tim Grobaty, "the only writer on a newspaper allowed, encouraged even, to bloviate on any topic at hand.’’

Meet Milton Avery, America's 'most famous unknown artist'

Milton Avery (1885-1965) was so good at color, he wowed Rothko. But he’s been criminally underrepresented in local museums. Until now.