Marc Haefele Contributing Writer, Off-Ramp
Marc Haefele is a commentator on KPCC's Off Ramp.
Haefele was a staff writer for LA Weekly, City News of Los Angeles and the Morristown (NJ) Record. He has written for the New York Times, Los Angeles Times, Philadelphia Daily News, the Boston Review, Nomada de Buenos Aires and many other publications.
He cohosted the KPFK weekday morning drive time show in 1999-2000, and for the subsequent decade was city hall commentator for KPCC.
In the later 60s and early 70s, Haefele worked for Random House, then Doubleday publishers in New York, where his writers included Philip K. Dick, Steven King, Tom Disch, Marge Piercy, Kate Millett and Josephine Saxton. While at LA Weekly, he won the LA Press Club's Best Column award. He has shared Golden Mikes with his KPCC colleagues.
He has a B.A. in History from NYU and an M.A. in the same from NYU and Cal State Los Angeles.
Haefele lives in Santa Monica.
Stories by Marc Haefele
A railroad baron and an unwed teen mother -- Shelley Bennett’s new history of the Huntington family history
She was a winsome teenage unwed mother when she blew into New York with a tin-horn gambler on the run from the cops. So she wrote to one of the richest men in America: “Dear Mr Huntington, I am so worried I don’t know what to do.” Yes, THAT Mr. Huntington.
The other gun he had, the 1860 .44 Army revolver, looked exactly like the weapon that had been stolen from my old home, years ago. It almost certainly wasn’t my old Colt, but if it were, and he had he killed someone with it…
Jack Vance, nearly the last of a great generation of American sci-fi and fantasy writers, died May 26 in his Oakland home. He wrote so many books that their exact number seems uncertain.
This is a surprisingly singular study of the U.S. Presidents who somehow didn't make it into the common history of our nation.
What is wrong with the old museum?
Historians used to think of Athens, Sparta, and Corinth as the real thing, and their Italian colonies as backwaters of little importance. Now, they believe some of the highest advancements of Greek art (and even science) were happening not in the great Attic cities but on Greek civilization’s westernmost fringes. Like Sicily.
The car didn’t finish in its first big race this year—possibly because it had just been delivered the week before. It finished second in its next two races. This mixed showing reflects its singular, developing technology: it’s probably the only diesel race car on the American auto racing scene today.
Had the late British PM Margaret Thatcher followed the advice of some of her advisors, and left the Falkland Islands to the Argentines, who knows how much longer the junta would have survived.
There’s a big question both Los Angeles mayoral candidates have been ignoring. That’s what to do about the city’s shrinking water resources.
"Japan's Modern Divide" at the Getty Center introduces to us two major yet unfamiliar artists, and gives us glimpses and panoramas of unusual and unsuspected Japanese inner and outer landscapes.
Trying to avoid bland, I ended up more than doubling the proper amount of paprika, resulting in a kind of Danubian vindaloo that had our guests gasping like circus fire eaters working overtime. Do not underestimate those Mitteleuropische seasonings: they can pack all the wallop of Oaxacan chile molido.
Never having been prone to sticking his head out of the trench, Bergoglio is more likely to be an opponent of change than a change agent. Maybe the best we can hope for is the commitment of the Irish priest reported by novelist Honor Tracy, “to always take the straight and narrow path between right and wrong.”
If you want a window into the livid present that opens to the smells, tastes, and feelings of this brave, unbelievably downtrodden country, "Farewell, Fred Voodoo" is the book for you, in which Wilentz shows how choices we’ve made as Americans—as voters, as consumers—have helped create the Haiti of today.
“What’s certain is that if we had built the facility as (originally planned), the extra beds would have cost a whole lot less. That was a bad decision.”
It's a story just for you, lurking deep in this unique, strange and wonderful little painting. But you've only another month left to see it.