Marc Haefele Commentator, Off-Ramp
Marc Haefele is an arts, politics, and literature commentator for KPCC's Off Ramp.
Haefele was a staff writer for LA Weekly, City News of Los Angeles, and the Morristown (NJ) Record. He has written for the New York Times, Los Angeles Times, Philadelphia Daily News, the Boston Review, Nomada de Buenos Aires and many other publications.
He cohosted the KPFK weekday morning drive time show in 1999-2000, and for the subsequent decade was city hall commentator for KPCC.
In the later 60s and early 70s, Haefele worked for Random House, then Doubleday publishers in New York, where his writers included Philip K. Dick, Steven King, Tom Disch, Marge Piercy, Kate Millett and Josephine Saxton. While at LA Weekly, he won the LA Press Club's Best Column award. He has shared Golden Mikes with his KPCC colleagues.
He has an M.A. in history from NYU and Cal State Los Angeles.
Haefele lives in Santa Monica.
Stories by Marc Haefele
Off-Ramp commentator Marc Haefele reports on LACMA's fund- and art-raising as it aims toward a new building.
The Getty Center’s new exhibit, “Painting Set Free,” displays an incredible number of works by the man many people now think of as the greatest English painter of all time.
A 100-mile-plus mile drive from Los Angeles will take you to Santa Barbara. It will also take you to Encinitas, or Big Bear Lake. Or it can take you to Bakersfield.
If Bakersfield doesn’t yet have its own school of painting, it’s certainly taking the right steps toward creating one.
The Buena Vista Museum of Natural History is the only museum anywhere that documents the geology, zoology and paleontology of California’s great San Joaquin Valley.
Suddenly, there emerged German painters who became famous even in France and England. One major sect distanced itself from all art since the Renaissance.
Armin Hansen was one of greatest marine painters ever born in this state. His portrayals of the men who worked on the oceans off Monterey that brought him lasting fame.
They promised us a new visitor center, store, and café. I imagined the Disney-fied worst: Henry Huntington’s Roller Coaster Red Car Ride; Pinky’s Pinkberry Parlor; The Blue Boy Fashion Center.
Cameroonian Pascale Marthine Tayou considers himself a world artist, a cosmopolitan nomad, with so many influences that it’s hard to count them.
It was all too much for the rustic, pious Monsieur Taurin. Such pagan sensuality had to be diabolical. He used his pickax to rake the priceless pieces into a sack.
Marc Haefele tells us about Geoff Palmer, who thinks the Italians settled LA, and who lost one of his mammoth Italianate apartment blocks in a fire Monday morning.
“Spring” became one of Manet’s most popular works, deeply appreciated by art lovers young and old and by critics of both the old guard and the avant garde.
With their dark, shadowy contrasts, Koudelka’s pictures resemble impressionist paintings more than photographs. Their subjects loom, threaten and then seem to beg for mercy.
Paul Caponigro supposedly said, “I love people. I just don’t want them getting in front of my camera.” But his contemporary, Bruce Davidson, made his living photographing people.
"Dido & Aeneas" and "Bluebeard's Castle" create an enjoyable evening together by being a welcome departure from L.A. Opera’s chestnut repertory.