Michelle Lanz Associate Producer, The Frame
Michelle Lanz is the Associate Producer for The Frame, KPCC's arts, entertainment and culture show. Prior to joining The Frame she worked as the digital producer for KPCC's Take Two and AirTalk shows.
Before coming to KPCC, Michelle worked at KCET as the Associate Producer for New Media, where she developed web content for KCET's programming and steered social media efforts for the station. She was first bitten by the public radio bug as an intern for NPR's Day to Day program in 2008.
She has also worked as an editor for MSN's Wonderwall entertainment site, as a web producer for Marketplace and as a contributing editor to the L.A. Times’ Metromix publication.
Lanz earned her master's degree in journalism in 2009 from the University of Southern California's Annenberg School.
Stories by Michelle Lanz
The pioneering computer scientist helped build Pixar into the empire it is today, but he understands the need to constantly innovate.
Pixar was the first studio to release a computer-animated feature. The company's commitment to storytelling is key to its success.
Director Kirby Dick and producer Amy Ziering talk about the making of their documentary and how they gained the trust of their subjects.
Writer-producer Melissa Rosenberg says she was attracted to the project by being able to write about a woman who is multi-leveled, complex and sexual being.
At this point in almost any other TV season, a number of shows on the broadcast networks would have been canceled. But these days it’s not happening. At least not yet.
Publication of a companion book to "The Force Awakens" will be delayed in hopes of avoiding spoilers.
We get the story behind an obscure but deserving folk album from the label’s reissues producer, Patrick McCarthy.
Composer Charlie Clouser knows exactly how to set a creepy scene. Before he got into scoring for TV and film, Clouser played keyboard in the industrial rock band Nine Inch Nails. These days he’s best known for his work scoring all seven films in the Saw franchise, as well as the theme song for the FX series American Horror Story.
In a new production, The LA-based experimental opera company The Industry is taking opera out of the stuffy concert hall and onto the gritty streets of Los Angeles.
The influential South by Southwest Interactive conference canceled two panels due to threats of on-site violence. The panels were to address sexism and harassment in the gaming industry.
The new wave music icon talks about how he got his start in scoring for television, working with a variety of directors, and how important score actually is to TV and film.
Hawley says the Coens have an "amazing library of ideas and characters," which helped as he put his own stamp on their 1996 dark comedy.
The Irish filmmaker talks about his collaborative process with 'Room' writer Emma Donoghue and the lessons on parenthood he gave to actress Brie Larson.
DeConnick, who revamped the Captain Marvel series, has succeeded with the biggest comic book publishers and with indie imprints that provide more freedom.
Composer Jeff Russo says, "Television turns away from music because they use music as a crutch" due to time and budget, but with "Fargo," they tried to make it cinematic.