Molly Peterson Environment Correspondent
- Phone: (626) 583-5153
Molly Peterson is an award-winning environment correspondent at Southern California Public Radio.
Molly has reported, edited, directed programs, and produced stories for NPR and NPR shows including "Day to Day" and KQED's "California Report." She was a contributing producer for Nick Spitzer's weekly music program, "American Routes," and reported for "Living on Earth" in the Gulf of Mexico after Hurricanes Katrina & Rita. Prior to joining KPCC, she produced a nationally-distributed radio documentary about New Orleans called "Finding Solid Ground."
A former LA Press Club radio journalist of the year, Molly reported on the faulty pumps installed at New Orleans canals after Hurricane Katrina. That project was a finalist for an Investigative Reporters and Editors award.
Molly worked for NPR American legal affairs correspondent Nina Totenberg during the Clinton Impeachment.
She studied international politics at Georgetown University's School of Foreign Service, and graduated from UC Hastings College of the Law. She is an inactive member of the State Bar of California.
Molly was lucky enough to grow up climbing northern California trees and fishing eastern Sierra waters.
Stories by Molly Peterson
Comes news today that shareholders' groups aren't happy with all that investment oil companies have done in Proposition 23. A Ceres press release says shareholder resolutions are en route at corporations that are major contributors to Proposition 23.
NPR's Scott Simon is a former colleague (going back a decade now, yeesh) and I've been touched to hear the emotion in his voice as he talks about the emotional choice of adopting children that he and his wife have taken.
So, The American Spectator has a story about green jobs in California this week. Operative paragraph:
Just a quick head's up for tomorrow's AirTalk with Larry Mantle: it'll feature Anita Mangels of the California Jobs Initiative and Steve Maviglio of the No on 23 campaign facing off, mano-a-mano (or mano e mano, I never remember that one).
Just a quick note that some well-informed local realtors asked for a quick update on Malibu's water quality issues. You can read my brief history of those issues at their site on this link.
Climate activists love their numbers. They catch the media's attention. But for the uninitiated, they may not have much of a meaning. Here's a primer.
If it's Friday night, it's time for campaign finance numbers. (Really?)
Renewable energy advocates are concerned that the Los Angeles Department of Water and Power's consideration this week of modifications to its solar incentive program signals a retreat from solar entirely.
Ryan Lizza's article about how climate and energy legislation, despite having support across the aisle and from environmentalists and from polluters, still managed to die an ignominious death in Congress is a fascinating read.
As a former frequent kayaker of the San Francisco Bay, I was surprised to read that maybe agriculture from the Delta isn't primarily to blame for elevated levels of mercury and other pollutants in those waters.
Sam Mendes might find that a plastic bag provokes an unexpected emotional reaction - finding the miraculous in the mundane, as the character Ricky does in American Beauty - but more and more cities might not agree.
With the news that utility bills are evidence in a case where Councilman Richard Alarcon's residency will figure prominently, it seems Angelenos and anyone wishing to convey an airtight impression they live in a place are in need of more information about water use.
I'm rarely good at picking keepers in my fantasy leagues (which, come to think of it, we rarely do), so it's hard to imagine I'm much better at choosing a blog name. Siel, however, is clever, and she & I kicked around a bunch of ideas.
The federal Fish and Wildlife Service announced today that the Sacramento splittail fish doesn't get protection under the Endangered Species Act.
Jazzfest in New Orleans was where I first really became acquainted with the phenomenon of playing the star on stage. The drummer would tap his sticks, the backing band would start, and eventually Ray Charles or Allen Toussaint would amble into position.