Wendell Pierce, a veteran of David Simon's The Wire, plays trombonist Antoine Batiste on Simon's new HBO series, Treme. Simon has just started blogging. But he won't write for free.
I’m a writer, and while I’m overpaid to write television at present, the truth is that the prose world from which I crawled — newsprint and books — is beset by a new economic model in which the value of content is being reduced in direct proportion to the availability of free stuff on the web. In short, for newspapers and book publishers, it has lately been an e-race to the bottom, and I have no desire to contribute to that new economy by writing for free in any format. Not that what is posted here has much prolonged value — or in the case of previously published prose, hasn’t soured some beyond its expiration — but the principle, in which I genuinely believe, holds: Writers everywhere do this to make a living, and some are doing fine work and barely getting by for their labor. Anything that says content should be free makes it hard for all writers, everywhere. If at any point in the future, this site offers more than a compendium of old prose work and the odd comment or two on recent events — if it grows in purpose or improves in execution — I might try to toss up a small monthly charge in support of one of the 501c3 charities listed in the Worthy Causes section. And yes, I know that doing so will lose a good many readers; but to me, anyway, the principle matters. A free internet is wonderful for democratized, unresearched commentary, and it works well as a library of sorts for content that no longer requires a defense of its copyright. But journalism, literature, film, music — these endeavors need people operating at the highest professional level and they need to make a living wage. Copyright matters. Content costs.