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Former U.S. Sen. and new Chairman and CEO of the Motion Picture Association of America Chris Dodd. When online piracy legislation came up for a vote in Congress in 2012, he found himself up against open the late open Internet activist Aaron Swartz.
Aaron Swartz — a prodigy, an outspoken political and technology activist, co-founder of Reddit, co-creator of RSS, and a central figure in the open Internet movement — was found dead in Brooklyn last weekend, of an apparent suicide. He was 26 and nearing a court appearance for hacking into an MIT database of academic papers to symbolically liberate the information.
There's already an outpouring of grief among Swartz's former partner, the technorati, and the high-tech venture capital world. There has also been considerable speculation that Swartz, who suffered from depression, was driven to kill himself by a government that didn't at all like his accrued power or point of view. At least one blogger has also suggested a more nefarious explanation for Swartz's demise.
Swartz was something of a techno-anarchist, taking his activism to an place that even garden variety Silicon Valley libertarians have been hesitant to go. In his mind, information was born free, but is everywhere in chains. In this, he lived slightly outside the Big Tech-Big Content debate that I've written about as an ongoing battle between Hollywood and Silicon Valley.
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Harvey Weinstein has had just about enough of you Internet content pirates and proposes a draconian "French" solution.
If, in the aftermath of the Stop Online Piracy Act/Prevent IP Act (SOPA/PIPA) battle, you thought that only the most intense financiers of Silicon Valley continue to obsess over threats to the "open Internet, we give you...Harvey Weinstein! The Hollywood Reporter catches up with the outspoken producer in England, where he took the occasion of addressing the BFI London Film Festival to absolutely lay into Big Tech.
But first, he heaped praise on recently dethroned French President Nicholas Sarkozy (who awarded Weinstein the prestigious Légion d'honneur prior to leaving office):
"Whether you like his politics or not, this law was good," Weinstein said, "because people are disincentified to steal."
He said the results also could be seen in a country where 260 French movies were made last year, and difficult funding propositions, like the €14 million ($18 million) black-and-white silent film The Artist, could find people to fund it.
"You get a robust local industry from it," he said.
Weinstein's speech was full of humor and barbed observations.
"I love it when these Internet dudes say to me, ‘Hey man, we just want to be 'content neutral,' " Weinstein noted. "Next time, I'll say, 'Sure, I'll get my tie-dye shirt and come and sit in your billion dollar mansion in San Francisco or Silicon Valley for a while, soak it up.'"
President Barack Obama answering questions on Reddit on Wednesday. Did he come out in favor of the open Internet?
As you've all probably heard, President Obama took to Reddit, the Internet discussion site, to...have an Internet discussion! Which was in no way intended to upstage Paul Ryan's Really Big Speech at the Republican National Convention. Really. In no way.
As KPCC's Tony Pierce reported earlier at our Represent! blog, Obama's arrival at Reddit actually broke Reddit, for a few minutes at least.
What was truly rather Earth-shattering, however, was his answer to the first question he was asked, from "SharkGirl":
Q: We know how Republicans feel about protecting Internet Freedom. Is Internet Freedom an issue you'd push to add to the Democratic Party's 2012 platform?
Internet freedom is something I know you all care passionately about; I do too. We will fight hard to make sure that the internet remains the open forum for everybody - from those who are expressing an idea to those to want to start a business. And although there will be occasional disagreements on the details of various legislative proposals, I won't stray from that principle - and it will be reflected in the platform.
Wendell Pierce, a veteran of David Simon's The Wire, plays trombonist Antoine Batiste on Simon's new HBO series, Treme. Simon has just started blogging. But he won't write for free.
I’m a writer, and while I’m overpaid to write television at present, the truth is that the prose world from which I crawled — newsprint and books — is beset by a new economic model in which the value of content is being reduced in direct proportion to the availability of free stuff on the web. In short, for newspapers and book publishers, it has lately been an e-race to the bottom, and I have no desire to contribute to that new economy by writing for free in any format. Not that what is posted here has much prolonged value — or in the case of previously published prose, hasn’t soured some beyond its expiration — but the principle, in which I genuinely believe, holds: Writers everywhere do this to make a living, and some are doing fine work and barely getting by for their labor. Anything that says content should be free makes it hard for all writers, everywhere. If at any point in the future, this site offers more than a compendium of old prose work and the odd comment or two on recent events — if it grows in purpose or improves in execution — I might try to toss up a small monthly charge in support of one of the 501c3 charities listed in the Worthy Causes section. And yes, I know that doing so will lose a good many readers; but to me, anyway, the principle matters. A free internet is wonderful for democratized, unresearched commentary, and it works well as a library of sorts for content that no longer requires a defense of its copyright. But journalism, literature, film, music — these endeavors need people operating at the highest professional level and they need to make a living wage. Copyright matters. Content costs.
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Former U.S. Sen. and new Chairman and CEO of the Motion Picture Association of America Chris Dodd speaks at The Colosseum at Caesars Palace during CinemaCon, the official convention of the National Association of Theatre Owners, March 29, 2011 in Las Vegas, Nevada.
You could say that it's the great business question of our era. Certainly it is in California. Why can't Silicon Valley, seat of the tech industry, and Hollywood, capital of the entertainment business, join forces and create a juggernaut of technotainment that will establish the Golden State as the most important place on Earth for innovation and global media?
In theory, it should be a no-brainer. But in practice it's a case of colliding business models. Big Content has built up its ownership of media over the course of a century. It's not going to share the goodies without claiming its cut.
Big Tech, on the other hand, wants all that content to be free, free, free. Chris Anderson pretty well laid it all out, in detail horrifying to Hollywood, in 2009, in his aptly titled book "Free: The Future of a Radical Price." Why? Because the ability to fragment and share content is a critical piece of Silicon Valley's overall business model. Users need to be able to do this by the millions if not billions, so that various Web companies and appmakers can sell ads against the — wait for it — free labor of those users.