Pitchfork's People's List looks at the albums almost 28,000 of their readers love; what didn't make the list that should have?
Pitchfork, the journal of what hipsters think about music (or something like that), just published "The People's List," covering readers' favorite albums from the publication's first 15 years, 1996 through 2011. They started the poll last summer, but now that polling's closed, they've released an excellent breakdown of what the huge amount of data they got means.
With 27,981 voters and 116,009 albums selected, they broke things down by gender, age and location, so you can find out what kind of albums are more likely to be dug by women than men, by old than young and so on.
Of the top 200, Los Angeles had the third highest number of albums from an artist associated with their city, coming in with 10. The winner? Brooklyn — of course. They had 31 albums. The greater New York City area rocked the rankings, with New York City itself in second with 12 albums.
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Kanye West (L) and Jay-Z perform during the 2011 Victoria's Secret Fashion Show at the Lexington Avenue Armory on November 9, 2011 in New York City.
I've got a secret: I prefer Kanye. This is apparently something I don't share with our nation's president, who, in a recent Atlantic magazine article on Kanye West, says emphatically that he prefers Jay-Z.
It's not too much of a surprise, after Obama previously called West a "jackass" after he interrupted Taylor Swift's MTV Video Music Award acceptance speech.
Obama wasn't all down on Kanye, though. He added that he likes Kanye too. "He’s a Chicago guy. Smart. He’s very talented." When asked about that jackass comment, Obama reaffirmed both Kanye's jackassery and his talent.
Of course, that Atlantic article being titled "American Mozart" perhaps isn't going to deflate that Kanye ego anytime soon. Not that Jay's too humble; these two are on tour together, and some of Kanye's early success as a producer came as a result of getting the chance to produce tracks for Jay-Z.
via Dane Cook on Twitter
Jay-Z and Kanye West's "Watch The Throne" concert at Staples Center, Dec. 12, 2011.
It would be easy (and almost necessary) to spill an ocean of superlatives in trying to adequately explain the enormity of this entire Watch The Throne endeavor. Sure, it’s easy to chalk it up as a couple of 1 Percenters flexing their considerable industry muscle, and that’s a part of it.
Only a few songs into Monday night’s sold out show, it was apparent that this bombastic display of hip-hop’s considerable hold on the pop cultural zeitgeist was more than just a good time. It was one of the most impressively produced stadium shows, well, ever. The Staples Center was transformed into something of a giant boxing ring, with Jay-Z and Kanye West standing atop two massive hydraulic LED stages to open the show with a flurry of songs from the Watch The Throne album. The spectacle was akin to a rap Metallica (and just as loud), with both men ripping through verses from “Welcome To The Jungle” with ease and dexterity that transcends 99.5% of what passes for “rapping” these days. Flames towers erupted behind them at regular intervals, and the blinding laser light show was equal parts Daft Punk and Pink Floyd.