Underdog Lee DeWyze won the season 9 finale of American Idol last night. Many critics were left puzzled, as Crystal had been acknowledged by many to be the vocal superstar this year from the beginning.
Retiring judge Simon Cowell made a strong case for Lee on the final performance show, pointing out that this was the type of performer the show was all about – someone who needed a break, going from shy paint salesman to singing superstar. However, the judges seemed far more enthusiastic when praising his adversary, Janis Joplin-esque rocker Crystal Bowersox.
There have been a variety of explanations going around for Lee's win. Perhaps it was the power of teenage girls voting for the last cute boy left.
Richard Rushfield at the Daily Beast pointed out two changes in the history of Idol that have shifted the competition in the direction that puts a Lee over a Crystal. First, they began allowing singers to use musical instruments at the beginning of season 7. The show became less about vocal gymnastics and more about overall musicality, with arrangements becoming more important than ever and contestants expected to be able to come up with striking new arrangements of classic pop songs. The winners the past three years have all played guitar; this season in particular seemed to be the most guitar-heavy season to date, with almost all the contestants strumming guitars in most of their performances.
Another season of American Idol is coming to a close. It's been a strange one with the absence of Paula Abdul, the addition of Ellen DeGeneres, and most of all, the last season for Simon Cowell.
After nine seasons, the show will have to set off next year without Simon Cowell. Remember that when the show started, it was a summer show when summer original programming was even less the norm than it is today, and Cowell's cutting remarks are what made the show an American institution. I remember first hearing someone talk about the show while interning for a commercial radio station, as the music director was intrigued by the possibility. Little did she or the rest of America know where the show would go from there.
Will Kara, Randy or Ellen step into that position? Kara seems the most likely to make her attempt at being the new Simon, and it will be interesting to see if she makes her move once Simon leaves and stops taking up all the air in the room. Ellen seems to have moved into Paula's position, often unwilling to be overly critical of the contestants, while also bringing her own schtick with a steady string of one liners. Randy is, well, Randy, and anyone expecting him to significantly change hasn't been watching for the last nine years.
Pac-Man, the iconic classic arcade game, celebrates its 30th anniversary today. Google put a playable Pac-Man game on their home page to mark the occasion, and it was even the lead story on CNN's website.
I'm too young to have been around when Pac-Man first came out, but I remember playing it in arcades and pizza joints across our fair nation growing up, as well as its various spinoffs like Ms. Pac-Man. I even vaguely remember the Pac-Man animated series. (Really? Did the deep plotting of Pac-Man require a television series?)
Check out Google both today and tomorrow to play their anniversary game on the home page, and you can also check out the Google Doodle archive once it's left the main page.
The Onion, always a fountain of mirth, has a great article taking shots at both Foursquare and media coverage of new media.
"Although it recently hit the million-user mark, Foursquare has yet to approach the vast subscriber base of Facebook and Twitter. But that all could change as people become increasingly reliant on the…okay, here, here, let me sum up this whole 'news' story for you: Aging, scared newspapermen throw themselves at the latest mobile technology trend in a humiliatingly futile attempt to remain relevant."
As usual with Onion articles, not for those easily offended.
(Oh, and that's a real photo of Foursquare co-founder Dennis Crowley. Seriously.)
If you're interested in checking out a more straightforward story about Foursquare, you can do so with this New York Times article.
Earlier this month Firestone Walker Brewing Co. announced the release of Parabola, their barrel-aged Russian imperial oatmeal stout. It's part of the brewery’s Proprietor’s Reserve Series, which consists of bottled draft-only barrel-aged beers.
Reports say the 22-ounce bottles will retail for about $16, which is in line with Firestone Walker's other special releases and anniversary ales. This stuff should not be on the shelves for too long – their Buellton taproom reportedly sold out in 20 minutes.
Parabola, listed as 13 percent alcohol by volume, has earned an A-average from reviewers at the Beeradvocate website. One review, out of a total of 47, describes Parabola in the following way:
The nose is a stellar blend of roasted malt, molasses, and caramel. A light roast of coffee is well integrated and a low level of oak is present. Vanilla wafts from the glass, and the chocolate is a slightly bittersweet blend of milk and dark. Balance is superb and alcohol is mild. I'm enthralled by the caramel transcending the molasses, coffee, and chocolate.