Network neutrality (also known as “net neutrality”) has risen from slumbering bogeyman to hot-button issue since last April’s decision by a federal appeals court favored service provider Comcast over the Federal Communications Commission, effectively allowing Internet Service Providers (ISP’s) the ability to block or slow specific sites.
Proponents of net neutrality fear this decision will allow ISP’s to offer tiers of access to the Internet, artificially creating financial demand for performance.
But this article by California Crusader News, featured on hyperlocal ethnic news collective LA Beez, notes the potential effects failing to establish net neutrality will have on artistic, lower-income and immigrant communities:
The next Batman movie's title has been announced: "The Dark Knight Rises." Geoff Boucher at the L.A. Times' Hero Complex did an interview with director Christopher Nolan (recently known for the mind-bending hit "Inception") on the third leg in his Batman trilogy.
Nolan also revealed that the villain won't be the Riddler, much to the chagrin of fanboys who've been speculating that the Riddler would be the villain since shortly after "The Dark Knight" came out. This fan poster was burning up the Internet after the last movie, with casting rumors pointing to Johnny Depp, but it's not to be:
Nolan is also fighting the 3-D trend and said he won't be filming "The Dark Knight Rises" in 3-D; however, he will be using IMAX as he did for certain sections of "The Dark Knight."
I like Hero Complex's suggestion of Dr. Hugo Strange as a villain in the next film, as I think Nolan could do some interesting things with the way his storytelling explores psychological issues. I'd also love to see the trilogy brought full circle, perhaps bringing back Ra's al Ghul from "Batman Begins" and Two-Face from "The Dark Knight." It's difficult to see a logical way to explain their returns after they both seemingly met untimely ends, particularly in the grim and gritty world of the recent Batman films, but it would make a fitting cap to the series and Nolan's talent keeps it within the realm of possibility.
If you’re reading this article, you will undoubtedly fall into one of two categories: either you will look at the poster for the second annual HallowMEME party (photos from the inaugural HallowMEME here) in Brooklyn and laugh hysterically, or you will sit there with a quizzical expression and wonder aloud what links all those strange featured figures together.
If you fall in to the second, we’ve got some ‘splainin to do.
A meme is a single image or concept – essentially a visual joke – that spreads across the internet, evolving as it gets posted and reposted. There is no real characteristic to accurately predict which memes will be successful; the Internet chooses according to whim and then carries said joke into the stratosphere.
It may be amusing to think of the Internet as a shadow entity of devious machinations, but that description more or less describes the real breeding ground for these memes: the dark corner of the Internet known as 4chan.
As a child who grew up with the Nintendo being the first item I remember desperately wanting as a tyke, I got a little sentimental upon reading that today is the 25th anniversary of the NES (Nintendo Entertainment System).
Nintendo created an empire with hit systems including the Nintendo, the Game Boy, the Super Nintendo, the Nintendo 64, the GameCube, the Nintendo DS, the Wii and the Virtual Boy (maybe not so much that last one).
They defeated long time rivals Sega and, when faced with new competition from Microsoft and Sony, decided to play an entirely different game with the Wii. It's a system that doesn't try to have the best graphics or play to hardcore gamers, but changed the way people interact with games; Microsoft and Sony are doing their best to imitate the Wii with various peripherals, but these have yet to catch on.
I was saddened to read that soul legend Solomon Burke passed away Sunday. I had the pleasure to see him do two sets at the 2003 Bumbershoot festival in Seattle. He also played this year's Bumbershoot just last month, showing his continued vitality until the end.
Here he is performing the title track off his 2002 comeback album, "Don't Give Up On Me":
He was a star in the '60s, left the industry for decades, then made a comeback in the early 2000s. I had received Solomon Burke's Don't Give Up On Me as a gift and hadn't listened to it much or really gotten into it, but seeing Burke live showed me how wrong I'd been.
When I saw him, he sat in a throne as he performed, as he did during his later years due to health issues. Even sitting down, Burke commanded the stage and completely held the audience's attention. Burke's large body filled the throne, but his charisma and confidence made it work.