Note: A video for Robin Thicke's new track "Get Her Back," posted at the bottom of this story, contains some suggestive material that may not be appropriate for all viewers. Don't watch if you're easily offended.
Robin Thicke’s (@robinthicke) new album, “Paula,” isn’t likely to win back his estranged wife, the actress Paula Patton (@PaulaPattonXO) . But we don’t have to wait to see if the record will bring him fresh love from critics: they hate Thicke’s latest work.
What “Ishtar” was to movies, Olestra was to nutrition, New Coke was to soda, the Edsel was to automobiles and McDonald’s Arch Deluxe was to fast food, “Paula” is to recorded music. Or so reviewers say.
Thicke’s oddly public reconciliation quest — filled with way too much information, or TMI — has been savaged for its narcissism, cluelessness and atonal music.
Stuart C. Wilson/Getty Images for Guinness
File: Bobby Womack performs at Sinnots as part of the fifth annual Arthur's Day celebrations on Sept. 26, 2013 in Dublin, Ireland.
Famed soul singer Bobby Womack has died at the age of 70, according to a representative for Womack's label XL Recordings.
"Sadly the reports are true," wrote Sonya Kolowrat in an email to KPCC.
His label tweeted a tribute to Womack.
The cause of death is unknown, though he was previously diagnosed with cancer and the early signs of Alzheimer's disease. Womack had a European tour scheduled, with dates announced beginning in the Netherlands on July 19 and ending in France on Aug. 2.
Womack was born in Cleveland, Ohio and started out in music as a member of Curtis Womack and the Womack Brothers with brothers Curtis, Cecil, Harry and Friendly, Jr. Sam Cooke signed the group in the early 1960s and released gospel singles before becoming the Valentinos and moving out of the religious musical realm.
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Taylor Kitsch attends the New York premiere of "The Normal Heart" at Ziegfeld Theater on May 12, 2014 in New York City.
Taylor Kitsch — the shaggy-haired, hunky actor who, at 33 years old, has already generated a career of questionable highs and lows — has a new project, a short film that he hopes will take your mind off his recent big-screen flops.
You may know Kitsch, if you know him at all, as Tim Riggins on the critically acclaimed but belatedly watched TV show "Friday Night Lights."
Or if you're a fan of sci-fi films, you may recall him from two spectacular 2012 box office bombs: "Battleship" and "John Carter." Both films cost well over $200 million to make and tens of millions more to market, but sold only a fraction of that amount in tickets. When they failed, their studios — Universal and Disney respectively — had to take embarrassing and costly write-downs.
Recently, Kitsch has gone smaller and more highbrow with his screen work, appearing alongside Mark Ruffalo in the HBO adaptation of Larry Kramer's Pulitzer Prize-winning AIDS drama "The Normal Heart."
Photo by victoriabernal via Flickr Creative Commons
Mayor Eric Garcetti
Los Angeles Mayor Eric Garcetti and New York City Mayor Bill de Blasio put something major on the line over the Stanley Cup: The power of song. Despite Garcetti's known love for showtunes, the singer, thanks to the L.A. Kings' victory, will be de Blasio.
If New York had won, Garcetti would have had to sing "New York, New York" on "Jimmy Kimmel Live," but instead, de Blasio has to deliver the Randy Newman classic, "I Love L.A.," on an upcoming episode of "Kimmel." Garcetti's also scheduled to appear on that episode to rub it in a little.
The mayors had previously traded barbs with quotes from their cities' songs. "Start spreading the news, it’s been over 20 years since the Stanley Cup has found its home in New York City, and we look forward to it making its way here," de Blasio said, while Garcetti took a shot with "Looks like another perfect day — for the Kings to take home the Stanley Cup. From the west side to the east side, the Kings will reign."
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Actors Channing Tatum and Jonah Hill attend the Premiere Of Columbia Pictures' "22 Jump Street" at Regency Village Theatre on June 10, 2014 in Westwood.
It’s extremely unlikely that Hollywood will abandon its addiction to sequels and remakes anytime soon — but just because the movie business is obsessed with regurgitation doesn’t mean the resulting productions have to be as cynical as the thinking behind them.
Critics say the two big sequels opening this weekend — “How to Train Your Dragon 2” and “22 Jump Street” — are not only among the best big-studio movies of the year so far, but also might be better than the first films in their franchises.
“22 Jump Street” was directed by Phil Lord and Chris Miller. The pair have a knack for taking what sound like Hollywood’s most recognizably marketing-driven ideas and creating movies that are both well-reviewed (“22 Jump Street” has a Rotten Tomatoes average of 84 percent) and hugely popular (“The Lego Movie" grossed $462 million worldwide and "21 Jump Street" took in $201 million around the globe).