Given the relatively strict and limited structure that underlies the African-American genre known as the blues, it is nothing short of astonishing how versatile and fresh the blues can be.
It's simply a matter of educated sleuthing to uncover how blues has informed both jazz and rock and roll from the beginning of each. Even a few symphonic works owe their inspiration to the blues or represent collaborations with an actual blues band.
There are various blues traditions or schools. Chicago Blues is particularly celebrated, particularly the post-war scene recorded by Chess Records and other labels. Major artists recorded in Chicago include Muddy Waters, Howlin' Wolf, Little Walter, Buddy Guy and Junior Wells.
All these musicians are worthy of study, but this week I wish to focus on a particular Chicago blues artist: J.B. Lenoir. My brother brought home from his college radio station a reel-to-reel tape he had jam-packed with Chess classic albums. And as I absorbed the likes of Sonny Boy Williamson II, Robert Nighthawk, Johnny Shines , and Little Walter, I was especially taken with J.B. Lenoir.