By now, you’ve probably heard that not only has John Mayer granted an interview to Playboy magazine, but he’s apologized for 99% of it.
For instance, he used the n-word.
Playboy: “Someone asked me the other day, 'What does it feel like now to have a hood pass?' And by the way, it's sort of a contradiction in terms, because if you really had a 'hood pass, you could call it a n---- pass,’” he said, then added: “But I said, 'I can't really have a 'hood pass. I've never walked into a restaurant, asked for a table and been told, 'We're full.’”
Props to Mayer for admitting he’s never been discriminated against the way millions of blacks have been. And for apologizing:
AP: “… the point I was trying to make was in the exact opposite spirit of the word itself. It was arrogant of me to think I could intellectualize using it, because I realize that there's no intellectualizing a word that is so emotionally charged."
We attended the Fashion Institute for Design and Merchandising Oscar costume party last weekend, and met top designer Nick Verreos, of Project Runway fame, and discovered his secret.
(2-6-2010: Nick Verreos, Julian Bermudez, and John Rabe at FIDM. Photo courtesy FIDM.)
Nick turned to talk with my husband Julian. I, of course, continued talking. Suddenly Nick turned to me and said, “Now I know where I know you! I didn’t recognize your face but I knew your voice!” Turns out, Verreos not only listens to KPCC, but he’s a big fan of Off-Ramp.
I was pleased as punch.
For more photos of FIDM’s exhibit of costumes from the 2009 crop of movies, check out Nick’s blog.
(Check out John's weekly show Off-Ramp.)
My friend Scott Johnston looked out the window of his home in Los Feliz yesterday afternoon and was transfixed by the brilliant (double) rainbow that captivated much of Los Angeles. “It was the brightest rainbow I've seen,” he wrote.
Being short of cash (because of the recession), I immediately drove to Glendale to find the end of the rainbow, and snapped my own photo of what I found there:
I will, however, be donating 10% of the net profit -- after state bullion taxes and the cost of a corned beef sandwich (for the leprechaun) at Billy’s deli -- to KPCC to support the upcoming membership drive.
(Check out John's weekly show Off-Ramp.)
I got an e-mail from my friend Michael Sigman, the former LA Weekly Publisher, announcing he’s starting a series blogs on a "Creating Community In Los Angeles" project he’s working on in conjunction with HuffPost.
“Alienation and rootlessness are so deeply ingrained in Angelenos' psyches -- partly because so many of us are transplants -- as to be almost a badge of honor. … But there's nothing cool about the isolating ripple effects of massive unemployment and the shuttering of hundreds of community-oriented government programs and non-profits. … Throw in long-term trends -- like ever-increasing traffic congestion; technologies like Facebook, Twitter and texting that discourage actual human contact and allow people to work at home; and the conversion of locally-owned shops to one-size-fits-all chain franchises -- and you've got a city where finding community is tougher than ever.”
We’re moving to a new building, so I’m cleaning out my office at KPCC’s downtown Los Angeles bureau.
Besides shoveling a year’s worth of paper off the desktop, I threw out six or seven trees worth of paper files – including the one I made for my 2001 interview with John Adams, the minimalist composer with the close relationship with the LA Philharmonic, who is also the world’s most-performed living composer.
Back then, he was in town to conduct “Nixon in China” and a new composition, the piano concerto “Century Rolls.” I had utterly forgotten that he voiced a promo for us for broadcast, but I’d also forgotten that he wrote the promo in his own hand! (I must have dictated it to him; I recognize my spare style.)
It says, in case you don’t read Composer:
“Hi, I’m J A. On the next All Things Considered on KPCC I’ll be talking about Los Angeles Phil featuring Nixon in China and my new piano concerto, “Century Rolls.”