Attendees of the annual Pasadena Doo Dah Parade.
Only one event can bring together a disco drill team and human billiard balls — all in the middle of the street. The Pasadena Doo Dah Parade, a beloved outlet for eccentricity, will return for its thirty-seventh year this November.
Started as an alternative to the Rose Parade, Doo Dah offers people the chance to proudly embody their alter ego. "Everybody has one day to escape all the trappings of their day-to-day regimen and let their alter-egos rule for that day," said Tom Coston, one of the few original Doo Dah parade marchers.
Attendees can catch the legendary Snotty Scottie and the Hankies leading the pack of wacky characters, as well as take in the art cars and floats. OC NORML's Mardi Grass and the Klingon Assault Group are just two of the many floats slated to appear.
Alex Israel on Wikipedia Commons
A bust of the Playwright Aeschylus, at the North Carolina Museum of Art
Off-Ramp culture commentator Marc Haefele reviews Aeschylus' "Persians," in production this month at the Getty Villa.
It’s the world’s oldest known complete drama, but that doesn’t mean it’s easy to mount. Yet the SITI Company’s production of Aeschylus’ “Persians,” in a good new translation by Aaron Poochigian, worked magnificently at the Getty Villa’s Fleischman Theater Wednesday night. So much so that it often seemed like a message from 2,500 years ago to the 21st Century: "Indulging in pointless wars can destroy even the greatest nation."
What’s challenging about the play is its very sparseness. There are only four characters: Queen Atossa of Persia, played by Ellen Lauren; her husband’s ghost, played by Stephen Duff Webber; a messenger; and her son, King Xerxes of Persia. Plus an all-important chorus of courtiers. And all the play’s action is not only off stage, but has already occurred.
Special Collections Research Center, Syracuse University Library
Frank O'Hara, author of "Lunch Poems," still in print 50 years later.
Commentator Marc Haefele writes about arts and culture for Off-Ramp. Here, he attends a reading of Frank O'Hara's "Lunch Poems" and muses on the connections.
I drove down to Silver Lake and parked almost directly in front of Stories Books. I have associated this area for so long with lunching with a particular old friend, now in his 90s, that I failed to notice how young the rest of the neighborhood was getting. But Stories Books is full of first editions, Hollywood-angled but not exclusively. Pastries and coffee in the back. If I lived near here, I'd hang out here all the time.
This is a special night, though. In the back, outside, a lot of people are reading Frank O’Hara’s "Lunch Poems" out loud. All of them doing it pretty well.
Minor White/J. Paul Getty Museum
"Dodd Building,” Portland, Oregon, 1939, an early photo by Minor White.
Off-Ramp commentator Marc Haefele reviews "Minor White: Manifestations of the Spirit," a new photo exhibit at the Getty Center through Oct. 19.
“No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen.’’ —Minor White
Minor White (1908–1976) stands inconspicuously at the center of 20th century photography. White contained several paradoxes:
- Self-taught in the art of taking pictures, he became a great teacher.
- He stood equal to the most famous photographers of his time—such as Ansel Adams and Alfred Stiegletz—yet stayed out of the spotlight of fame.
- Employed as an academic, he took his camera into the wilderness of nature to create his greatest work—which edges over into a spiritual abstraction that became almost a religion to White.
Off-Ramp sketch artist Mike Sheehan draws and writes from Murrieta, a flashpoint in America's undocumented migrant controversy.
Friday I went to the Murrieta immigration protest. I wanted to see it up close. When I got out of the car, I came to a little crossroads with a group of anti-immigration protestors yelling things at passing cars, like “The Obama administration is aiding and abetting the enemy!” or “Shame on the feds for letting the enemy get close to us!”
It was kind of surreal.
Another weird thing is protesters would start talking to each other about normal things — like TV shows and their kids — right after the outburst, like it had never happened. Then someone would say something from a car and they’d go right back to shouting.
The road to the main demonstration was blocked to cars, and police had set up a little canopy on the corner across from the protesters. The police were really calm throughout this whole thing.