'Fallujah' at the Long Beach Opera this month looks inside a war survivor's head

Long Beach Opera's performance, "Fallujah" is based partially on the experiences of machine gunner Christian Ellis. It delves inside the brain of a young Marine, Philip, who's hospitalized in a Veterans Affairs facility after his third suicide attempt. Long Beach Opera

One of the most intense episodes of the U.S.-Iraq conflict is the subject of a new opera premiering at the Long Beach Opera Saturday.

"Fallujah" takes its name and its premise from the Iraqi city where over a hundred Marines and thousands of Iraqis lost their lives in two campaigns in 2004. It was the worst house-to-house fight for the Marine Corps since Hue City in Vietnam and it left its mark on those who lived through it.

Christian Ellis, who fought in Fallujah as a machine gunner, collaborated with playwright Heather Raffo, who wrote the libretto for Fallujah. Tobin Stokes wrote the music. 

The opera, based partially on Ellis' experiences, delves inside the brain of a young Marine, Philip, who's hospitalized in a Veterans Affairs facility after his third suicide attempt.

In a day-dream like state, he's visited by thoughts and memories of people from the battlefield.

Raffo said moviegoers have plenty of experience with the sounds of war — guns, bombs, shouts — but the noise inside a war survivor's head is something best replicated on the stage. 

"It’s relentless. You’re supposed to be never let off the hook," she said.

For Raffo, it was important to tell the stories of the Iraqi civilians caught between the U.S. military and the insurgents. 

Heather Raffo's father was born in the northern Iraqi city of Mosul, and in recent decades the family members she had in Iraq have largely fled fighting there and emigrated elsewhere. Raffo says she only has four cousins remaining in Iraq, but as Chaldean Christians they sought safety in Baghdad -- as Mosul is currently occupied by the Islamic State.

"The tragedy I've seen in my own family is ceasing to be Iraqi anymore, the ceasing to identify with the country as a home," she said. "The country has changed so dramatically, rejected them, or crumbled."

The Iraqi story plays out through a teenage boy and his mother. Back in Fallujah their lives had collided with Philip’s in a split second of combat.

While the boy grapples with his wartime Iraqi identity, Philip struggles with his own as he returns home.

"War ultimately destroys you as a human," Ellis said. "If you are actively involved in trying to kill [the enemy], it’s ‘us versus them,’ you lose that, and you lose your identity."

An aspiring singer before he joined the Marines at age 19, Ellis began to write about his experiences after coming home from the war. His work came to Raffo's attention and "Fallujah" came soon after. 

Ellis said there were lots of different reasons why insurgents wanted to fight his Marines – some were ideological, but others fought only because they were forced to. With insurgent leaders kidnapping their families, and forcing the sons to fight as ransom.

Ellis says that the Battle of Fallujah showed him the worst in humanity.

"What we can do to each other," he said. "It’s war in every way imaginable. The good and the bad.”

And once Marines like Ellis came home, he said, people didn't want to know what he'd done and didn't want to tell them. 

"And that’s Fallujah."

There will be seven performances of 'Fallujah' from March 12-20 at the Long Beach Armory. Opening Night is already sold out, but tickets for the other nights are still available. Fallujah will also be broadcast live on Friday March 18th at 8pm on KCET television and live-streamed on kcet.org.