Fresh Air with Terry Gross is weekday magazine of contemporary arts and issues with intimate conversations and unusual insights.
In his new memoir, Philip Connors writes about "living in the shadow of a suicide." Wracked by guilt and haunted by "what ifs," Connors investigated his brother's death and learned a terrible secret. Critic at-large John Powers reviews 'Foyle's War.'
Native American writer David Treuer talks about his family, his culture and his new novel, Prudence, about an Ojibwe reservation during World War II. Then Mark Woollen explains the process of cutting movie trailers and book critic Maureen Corrigan reviews Mr. and Mrs. Disraeli.
Fresh Air Weekend: Novelist Richard Price says that in every precinct there's one cop who just can't let go of a case. "They all reminded me of Ahab ... looking for their whales," he says. Price's latest is called 'The Whites.' Then, David Remnick looks back on tough decisions as 'The New Yorker' turns 90. Remnick, who became editor in 1998, talks about his early days at the magazine and his biggest regret: He says he'd "love to have another crack" at covering Iraq's alleged weapons of mass destruction.
Former poet laureate Philip Levine's work often reflected the hardships and dignity of manual labor. He died Feb. 14 in Fresno, Calif. He was 87. In 1991, Levine spoke with Terry Gross about his collection 'What Work Is.' Then jazz Critic Kevin Whitehead reviews 'New Vocabulary' from saxophonist Ornette Coleman. We also remember Lesley Gore, who is known for her Top 40 sensations such as 'You Don't Own Me' and 'It's My Party.' Her last album was released in 2005, the year she came out as a lesbian. She died Monday at the age of 68. Finally David Edelstein reviews 'Wild Tales.'
It has been a year of professional highs and personal lows for Larry Wilmore. He is still fine-tuning 'The Nightly Show,' which fills the late-night spot on Comedy Central vacated by Stephen Colbert. The show launched just as Wilmore's 20-year marriage was coming to an end.
Remnick, who became editor of 'The New Yorker' in 1998, talks about his early days at the magazine and his biggest regret. He says he'd "dearly love to have another crack at" covering the weapons of mass destruction.