Fresh Air with Terry Gross is weekday magazine of contemporary arts and issues with intimate conversations and unusual insights.
"There is no greater feeling of helplessness than to watch two beloved sons deteriorate before [your] eyes," says Ron Powers. His new book 'No One Cares About Crazy People' is both about his sons and a history of how the mentally ill have been treated medically and legally. Also, rock historian Ed Ward looks back on Chuck Berry's early career. He died Saturday at 90.
'Get Out' is about a young black man named Chris whose white girlfriend, Rose, takes him to meet her parents for the first time. Writer-director Jordan Peele (previously of 'Key & Peele') calls his movie a "social thriller." Jazz critic Kevin Whitehead reviews Frank Carlberg's meditation on Thelonious Monk. Author Sebastian Barry discusses his book 'Days Without End' with 'Fresh Air' producer Sam Briger. It's about an Irish immigrant conscripted right off the boat, who falls in love with one of his fellow soldiers.
To mark the Broadway composer's 90th birthday, we're replaying excerpts of his 1991 and 2015 interviews with Terry Gross. David Bianculli reviews 'Julie's Greenroom' on Netflix, a children's series starring Julie Andrews and Jim Henson puppets. Film critic David Edelstein reviews 'T2 Trainspotting.'
'New Yorker' staff writer Elif Batuman talks about her Turkish-American roots and her new novel, which follows a young woman's first year at Harvard University in the '90s, and how she finds love through email. It's based on her own experiences. Also, writer Daniel Torday reflects on the vandalism at a Jewish cemetery in Philadelphia. Milo Miles reviews Sxip Shirey's album 'A Bottle of Whiskey and a Handful of Bees.'
'Get Out' tells the story of a young black man named Chris whose white girlfriend, Rose, takes him to meet her parents for the first time — without first telling them he's black. Writer-director Jordan Peele (previously of 'Key & Peele') calls his movie a "social thriller." He talks about his love of horror, his biracial identity, and making a film that would play differently to black and white audiences.
Rukmini Callimachi covers ISIS for the 'New York Times.' She just returned from Iraq where she was embedded with Iraqi soldiers as they battled to liberate the western half of the Iraqi city of Mosul from ISIS. She says ISIS is more fierce than ever.