Fresh Air with Terry Gross is weekday magazine of contemporary arts and issues with intimate conversations and unusual insights.
During the Depression, cheap, nutritious and filling food was prioritized — often at the expense of taste. Jane Ziegelman and Andy Coe, authors of 'A Square Meal,' discuss food trends of the time. Book critic Maureen Corrigan reviews 'Trials of the Earth.'
Streep talks about learning to sing badly in 'Florence Foster Jenkins,' her natural singing voice, and why sometimes just being Meryl Streep is more nerve-racking than performing. Maureen Corrigan reviews 'You Will Know Me,' a book about the fierce and frenzied world of gymnastics. Finally, novelist Colson Whitehead discusses his latest book — where the Underground Railroad is an actual locomotive that slaves ride to freedom.
'New York Times' reporter Rukmini Callimachi says ISIS' recruiting efforts focus on both the "mentally unwell" and those who have been "radicalized since birth."
Streep works hard to sing badly in her new film, 'Florence Foster Jenkins.' In it, she plays the title role, a character based on an actual heiress and socialite who devoted her life to music — despite having a squeaky, screechy singing voice. Streep also discusses working with Stephen Sondheim for the screen adaptation of 'Into the Woods,' and why sometimes just being Meryl Streep is more nerve-racking than performing.
National Book Award winner Jacqueline Woodson's new novel 'Another Brooklyn' is based in part on her memories of growing up there in the 1970s. Woodson describes adolescence as an "amazing and urgent moment" in life. Rock critic Ken Tucker shares political songs from The Mekons and The Mavericks.
As a child, Colson Whitehead imagined the Underground Railroad to be a subway beneath the earth that escaped slaves could ride to freedom. He returns to his childhood vision in his new novel, 'Underground Railroad.' Maureen Corrigan reviews 'You Will Know Me,' a book about the fierce and frenzied world of gymnastics.