The New Yorker Radio Hour
The New Yorker Radio Hour is a weekly program presented by the magazine’s editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn’t a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.
Maggie Haberman covered Donald Trump years ago for the New York tabloids. Now, in the White House, she has a front-row seat to an Administration in which “rival gangs” are vying for control. Plus, Bob Odenkirk’s amazing exercise tips, and Bruce Eric Kaplan on the naughty TV specials of his youth.
Phil Davies doesn’t seem like a mad scientist bent on conquering another planet: he’s a mild-mannered general practitioner in a small town in southern England. But, with a telescope and an array of lasers, he’s making a claim that he owns Mars, and he’s presented it to the United Nations. Some thirteen thousand prospective landowners have signed on to his plan. What’s a country doctor going to do with a planet, anyway?
The future of health care in America hangs in the balance as the Senate releases a revised bill to replace the Affordable Care Act. David Remnick talks with the historian Jill Lepore, and with Dr. Ezekiel Emanuel, an architect of Obamacare who has met with the Trump Administration, about the future of expanding coverage.
Lucinda Williams won a Grammy for the song “Passionate Kisses,” which was performed by Mary Chapin-Carpenter; but she spent many years overlooked by the music industry: she was too country for rock and too rock for country. In 1998, American music caught up to her, and her album "Car Wheels on a Gravel Road" broke through. The staff writer Ariel Levy sat down with Williams at the New Yorker Festival in 2012 to talk about God, Flannery O’Connor, and the musician’s path through the music industry. Williams also performed live.
James Taylor’s songs are so familiar that they seem to have always existed. On stage at the New Yorker Festival in 2010, Taylor peeled back some of his influences: the Beatles, Bach, show tunes, and Antonio Carlos Jobim. Taylor played a few of his hits and gave staff writer Adam Gopnik a quick lesson.
Donald Trump’s winter White House is his private club and family residence, Mar-a-Lago. We go there ourselves to take the political temperature of Palm Beach and sample the President’s brand of Chardonnay, while, somewhere nearby, the President deals with a foreign-policy crisis.