Take Two for September 10, 2013

Justin St. Germain's vivid and gritty memoir 'Son of a Gun' (excerpt)

Cover art for Justin St. Germain's new book, Son of a Gun.

Justin St. Germain grew up the second son of a single mother, and much of his childhood was spent running around the barren landscape of Tombstone, Arizona, the same town famous for gunslingers like Wyatt Earp and the gunfight at the OK Corral.”

He was 20 years old when his mother was found dead, shot in her trailer on the outskirts of town, apparently by her fifth husband.

His book, "Son of A Gun,"explores her death, the investigation that followed and how he came to terms with everything that happened.

Excerpt from "Son of a Gun"

Soon after we learned that our mother was dead, my brother and I went to a bar. We'd already worked the phones. Josh had called our grandparents, who'd been divorced for forty years but both still lived in Philadelphia. Grandpop said he'd book the first flight he could, but air travel was snarled from the attacks nine days earlier. Grandma was afraid of flying, so she stayed in her rented room in suburban Philly, wrecked and helpless. I called my dad's house in New Hampshire, but he wasn't home. Eventually he called back. I told him she was dead and a long pause ensued, one in a litany of silences between my father and me, stretching across the years since he'd left and the distance between us, thousands of miles, most of America. Finally he said she was a good person, that he'd always cared for her. He asked if I wanted him to fly to Arizona. I said he didn't have to and hung up.

I emailed my professors and told them what had happened, that I wouldn't be back in class for a while. I called the office of the college newspaper where I worked and told my boss. Josh called in sick to his bartending job. Then we sat on the couch with our roommate, Joe, an old friend from Tombstone we'd known since grade school. It was a Thursday, and we had nothing to do. Somebody suggested the French Quarter, a Cajun joint nearby that had spicy gumbo and potent hurricanes. It seemed like a good idea: I'd heard stories of grief in which the stricken couldn't eat, but I was hungry, and I needed a drink. So that's where we spent our first night without her.

When we walked in, President Bush was on TV, about to give a speech. The jukebox was turned off, as it had been since the attacks, because now everybody wanted to hear the news. Joe went to the bar to talk to some of the regulars. Josh and I took a booth in the corner. Orion, the bartender and a friend of ours, came over and told us he was sorry, and to have what ever we wanted on the house. I wondered if Joe had just told him or if he'd already heard. I didn't know yet how quickly or how far the news would travel, that within a few hours we wouldn't need to tell anyone about our mother, because every one would already know.

I flipped through the menu but couldn't understand it. We'd both put our cell phones on the tabletop, and mine rang, chirping as it skittered across the glass. I ignored it.

"What now?" I asked.

Josh kept his eyes on the menu and shook his head. "There's not much we can do."

"Should we go out there?" I didn't know what to call the place where she'd died; it wasn't home, because we'd never lived there, and it didn't have a name. It was just a piece of land in the desert outside of Tombstone.

"We can't. The property is a crime scene."

I asked him if we should talk to the cops and he said he already had, that we were meeting with them on Monday. I asked about a funeral home and he said the coroner had to do an autopsy first, the cops said it was standard procedure. There was a long pause. My mother and her parents always said Josh was more like my father, difficult to read, and he looked like Dad, too, sharp nosed and handsome. I got more from my mother, they said, the dark and heavy brows, the temper, the heart on my sleeve. But if I was like my mother, why was I so numb?

Food arrived. Through the windows I watched the sky outside go purple and the traffic on Grant die down. A hot breeze blew through the open door. On television, President Bush identified the enemy, a vast network of terror that wanted to kill all of us, and finally he said the name of a murderer.

"Do you think Ray did it?" I asked. The police couldn't find our stepfather or the pickup truck he and my mother owned. He was the only suspect, but I didn't want to believe it.

Josh waited awhile to respond, chewing, letting his eyes wander the walls decorated with beads and Mardi Gras masks and a neon sign above the bar that said "Geaux Tigers."

"We'll know for sure when they find him."

A pool cue cracked and a ball fell into a pocket with a hollow knock. My phone rang again. I didn't answer. My voice mail was already full, and the calls kept coming, from distant family, my friends, her friends, acquaintances from Tombstone, people I hardly knew. At first I'd answered, but the conversations went exactly the same: they'd say they were sorry and I'd thank them for calling; they'd ask for news and I'd say there wasn't any; they'd ask if there was anything they could do and I'd say no. It was easier to let them leave a message.

On the TV, the president talked about a long campaign to come, unlike anything we'd ever seen. He said to live our lives and hug our children. He said to be calm and resolute in the face of a continuing threat.

"You think he'd come here?" I asked. Ray knew where we lived. He'd been to the house a few times, with our mother, staying on the pullout couch in the living room.

"The detective mentioned that. He said he doubted it, but to keep an eye out."

I wondered what good that would do but didn't ask. Josh said we'd know more on Monday, after we met with the cops.

"What do we do until then?"

I could tell Josh was wondering the same thing: what the hell were we going to do? "Wait, I guess."

Behind me the pool table rumbled as the players began another game. I looked down at my plate, realized that my food was gone, and scanned the old newspaper articles from New Orleans pasted beneath the glass tabletop. My mother was dead. I leaned back against the vinyl seat and finished my beer, watching the president try to soothe a wounded nation. He said that life would return to normal, that grief recedes with time and grace, but that we would always remember, that we'd carry memories of a face and a voice gone forever.

Late that night, I said a prayer for the first time in months. When I was a kid, Mom had always made me say prayers before bed, and it became a habit, something I felt guilty about if I didn't do. I'd stopped praying regularly after I left home, but that night I prayed for my mother's soul, because I knew she'd want me to, and I figured it couldn't hurt.

I didn't pray for my own safety; I knew better than to rely on God for that. Instead, I got up off my knees, pulled a long gray case out of my closet, laid it on the bed, and flipped the catches. Inside, on a bed of dimpled foam, lay a rifle, a gift from my father on my thirteenth birthday, an old Lee-Enfield bolt-action. I lifted it out of the case, loaded it, chambered a round, and rested it against the wall by my bed. Then I tried to sleep, but every time a car passed, I sat up to peek out the window, expecting to see Ray in our front yard.

After a few sleepless hours I got up and went to my desk. I turned on my computer, opened a Word document, and stared at the blank screen. I kept a journal, in which I wrote to the future self I imagined, chronicling important moments in my life, because I thought he might want to remember, and because it made me feel less alone. I would write about how much I missed Tombstone, how dislocated I felt after moving from a town of fifteen hundred people to a city thirty times that size, how I felt like an impostor at school, was failing half my classes, would never graduate. I wrote about girls. I wrote about money, how little I had, my mounting debt, my fear that I wouldn't be able to cover tuition and rent. And I wrote about Mom, how she'd gone crazy after I moved out, how she and Ray had sold our trailer outside of Tombstone and gone touring the country with their horses, camping in national parks, how one day I'd get a card in the mail postmarked from Utah, and the next she'd send an email from Nebraska—all of them signed xoxo, Mom and Ray—and how she'd leave rambling messages on our answering machine at five o'clock in the morning, saying how much she loved and missed us.

I thought I should write something about that day, so the future me never forgot how it had felt to be twenty and motherless, my life possibly in danger, numb from shock and hating my own inability to feel. But I didn't know what to say. I was afraid I wouldn't be able to do the feeling justice, that I'd choose the wrong words. I was in my first literature class at the time, an American lit survey, and I'd just written a paper on Henry James's "The Beast in the Jungle." So I did what any English major would: I quoted someone else.

My mother is dead. The Beast has sprung.

It worked. I sat down to write at the end of every day for the next few weeks, and each time the words came easily. Sometimes I return to those entries, when I'm afraid I've begun to forget. But I can't read them for long without wanting to write back to my old self, to warn him of what's to come, to tell him that the Beast will always be with us.

I woke up the first day after learning of her death and turned off my alarm, then went back to sleep until the room got too bright. When I woke again, I looked out the window at the yard full of weeds. I stood, stretched, brushed my teeth. Walking down the hall into the living room, wondering what I'd do with the day ahead—it was Friday, so I had a softball game that night, and afterward somebody would be having a party—I glanced through the screen door at the front porch and remembered.

My grandfather arrived from Philly that afternoon, pale and harried, lighting new cigarettes with the still-burning stubs of the last. We went straight from the airport to a Denny's by the highway and sat drinking iced tea and watching cars pass by outside, planes taking off and landing, families piling out of minivans in the parking lot, other people going places. The world hadn't stopped, despite how it seemed to us.

When our food came, we picked at it and discussed our plans. My dad had decided to come and would be flying in the next day. On Monday we had meetings scheduled with the detectives and the funeral director and my mother's bank and lawyer, a gauntlet none of us wanted to think or talk about. My mother's closest friend, Connie, was taking care of the horses and Chance, Ray's dog, who'd been left behind. She said that my mother's property was still cordoned off, that the cops were there in a helicopter, looking for Ray or for his body. We'd go to Tombstone in the morning. For now, there was nothing we could do but try to get some rest.

Grandpop went to his hotel. Josh and I went home and sat on the couch watching pirated cable for the rest of the afternoon. As the room began to dim, I checked the time and re membered that I had a softball game in half an hour. I went to my room and changed. When I walked out carrying my bat bag, Josh asked where I was going.

"We've got a doubleheader." "Seriously?"

I put on my hat and grabbed my keys off the coffee table. "There's nothing better to do."

"OK," he said, shrugging.

I realized it would be the first time we'd spent apart since we heard the news, and an unfamiliar feeling came over me: I was worried about him. "What are you going to do?"

"I might go to the Bay Horse."

The Bay Horse was a bar two blocks away where our roommate worked. I was glad to know Josh wouldn't be alone while I was gone, and the thought of joining them later at the Bay Horse gave me comfort. We spent a few nights a week in that smoky dive, playing darts and feeding the jukebox, writing graffiti in the bathroom, drinking ourselves into stupors.

I walked through the door and across the porch and out into the yard, where I stopped and looked back. The blinds were open, revealing my brother's face in the blue glow of the television. The house loomed gray below a purple sky; the stucco had cracked along the edge of the roof and one of the address numbers had been missing since I moved in. It was the only home I had left.

The dugout went quiet when I walked in. My teammates continued lacing their cleats, hanging bats in the racks, filling their mouths with sunflower seeds, but nobody spoke to me, and hardly a head turned in my direction. They were trying to act normal. They failed, but I appreciated the effort.

It was a coed league of born-again Christians. Our team's coach was a pastor. Most of the players, the men especially, took the games too seriously, heckling opponents and yelling at umpires, and nobody was any good. But I'd played ball my whole life and I missed being part of a team, so when my friend Brent had asked if I wanted to join, I'd jumped at the chance to play.

I spotted Brent at the far end of the metal bench and sat next to him. We'd known each other for a few years, had played together on our high school baseball team. I could tell that he had heard.

"You made it," he said.

I nodded. "Had to get away for a while."

"Sure." He worked a sunflower seed between his teeth, thinking of something to say, but just then the umps called us in for the pregame prayer. Before each game we stood in a circle around home plate and held hands while our coach, the pastor, said prayers that were clearly made up as he went. I was raised Catholic, communed and confirmed and all that, so it sounded like amateur hour to me, but I always went along, joined hands and bowed my head and pretended to listen.

That night's prayer was oppressive. I stood staring down at the dusty home plate, with my hat beneath my arm and a stranger's sweaty palm pressed against mine, listening to an error-prone second baseman preach about our great and just and loving God. At the end he said something about those of us suffering hard times and I wondered if he knew.

When it was over, I grabbed my glove. I played left and liked ranging the outfield. The bats would ping and I'd be off, tracking down a deep fly ball at the fence, snaring a liner to the gap, trying to throw out runners at home. For a moment I'd forget that it was a coed church league, that the person I'd just robbed of a double was somebody's aunt. I'd forget the score, the number of outs. I'd forget about school and work, forget my name, forget who I was. The world shrank down to a field of grass, and all I had to do was catch the ball.

I played well that night. I made a basket catch on a liner over my head, slid to pluck a Texas leaguer just before it hit the grass. I don't remember what I did at the plate, only sprinting across the outfield, catching everything. A lull would come, a few groundouts in a row, a string of walks, and I'd feel something stalking me just outside the white ring of the field lights, something creeping in. But then the yellow ball would rocket across the night sky and I'd be off, gauging its depth, fixing on a point ahead and running, running as fast as I could.

Excerpted from SON OF A GUN by Justin St. Germain.  Copyright © 2013 by Justin St. Germain. Excerpted by permission of Random House, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.


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