John Horn

Host, The Frame

Contact John Horn

John Horn is the host of The Frame. He previously was a staff writer at the Los Angeles Times, where he covered the film business for more than a decade. Before joining The Times, Horn was a senior writer at Newsweek magazine, a senior editor at Premiere magazine, an entertainment reporter for The Associated Press and a television reporter for the Orange County Register. He is an honors graduate of the University of California, Berkeley, with a degree in Dramatic Arts. He is a former member of the vestry at All Saints Church and a former member of the boards of the National Arts Journalism Program and Union Station Homeless Services.

Stories by John Horn

How Lucy Alibar's Southern childhood became fodder for the stage

After she co-wrote the Oscar-nominated "Beasts of the Southern Wild," Lucy Alibar began thinking about parenting — and her own influential father.

Can Pandora and Amazon disrupt the streaming music business?

Watch out Spotify and Apple Music: Pandora and Amazon are planning lower cost streaming music options.

How hidden biases hurt women (and lots of other people) in Hollywood

How does one person get hired over another for a Hollywood job? Certainly you’d factor in talent, personality, recommendations, but what about the unconscious biases of the person doing the hiring?

Rediscovering a love of theater at the Edinburgh festivals

'The Frame' host John Horn brings us a sound rich story from Edinburgh, Scotland, where he immersed himself in theater, music and comedy, and emerged with a renewed love of performance.

After years off screen, Eddie Murphy takes a dramatic turn in 'Mr. Church'

The comedy legend is best known from his roles in films like "Beverly Hills Cop" and "The Nutty Professor," but there’s nothing funny about his latest role.

'Sully': Clint Eastwood & Tom Hanks want to prove grown-up movies are worth making

The director and actor took on the story of the heroic airline pilot who safely landed his damaged plane in the Hudson River. The Hollywood veterans reflect on the state of the movie studio business and why they want to make films about grown ups doing grown up things.

A sneak preview of the Telluride Film Festival

Movie festival season is arriving in full force. Before he got on a plane for Colorado, The Frame host John Horn previewed some of the biggest draws at Telluride.

Rachel Weisz shifts identities in Joshua Marston's 'Complete Unknown'

Weisz's character is a bit of a rolling stone in the film — she is constantly reinventing her identity at the expense of her personal relationships.

CAA: Going inside the Hollywood's belly of the beast

James Andrew Miller's latest oral history book is “Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency.”

How Nate Parker's legal past is clouding 'The Birth of a Nation'

Nate Parker is the force behind the much-anticipated slavery-era film, but as more information comes out regarding his 1999 rape trial, his visibility could become a liability for the movie.

'The Nightly Show with Larry Wilmore' canceled despite unique approach to late-night

Stephen Colbert's successor was an unusual late-night show in many ways, but it couldn't get big enough ratings to avoid cancellation.

'Suicide Squad' and 'Ghostbusters': a tale of two would-be blockbusters

Two of the summer's biggest films may end up underperforming at the box office for different reasons, but the bottom line is troubling for the studios.

Treating the Olympics ceremony like a big film production

For the third consecutive Summer Games, the opening ceremony is being directed by a filmmaker. For Brazil, it's Fernando Meirelles.

Broad Street: A new production company battles gender inequality in Hollywood

Alysia Reiner and Sarah Megan Thomas have formed Broad Street Pictures to create more roles for women, both in front of and behind the camera

A bold effort to remake the outdated tradition of dinner theater

Prospect Theatre in Hollywood is trying to attract younger audiences with a hipper experience, e.g., "Romeo and Juliet" becomes "Love Is a Battlefield."