John Horn

Host, The Frame

Contact John Horn

John Horn is the host of The Frame. He previously was a staff writer at the Los Angeles Times, where he covered the film business for more than a decade. Before joining The Times, Horn was a senior writer at Newsweek magazine, a senior editor at Premiere magazine, an entertainment reporter for The Associated Press and a television reporter for the Orange County Register. He is an honors graduate of the University of California, Berkeley, with a degree in Dramatic Arts. He is a former member of the vestry at All Saints Church and a former member of the boards of the National Arts Journalism Program and Union Station Homeless Services.

Stories by John Horn

Manchester: Why music matters to girls and why girls matter to music

Following the Manchester bombing, NPR music critic Ann Powers wrote, "Young girls loving music, whatever kind of music, are truth. I believe in them and nothing can annihilate their truth."

Making the Netflix crime series 'The Keepers' was 'sickening' for filmmaker Ryan White

The documentary investigates a mysterious murder, but then finds a bigger story about sexual abuse and the power of the Catholic Church in Maryland.

‘Black Mirror’ creator: 'It’s a giddy time to be alive'

Charlie Brooker and his co-executive producer, Annabel Jones, talk about their dark sci-fi series that's been likened to a modern-day "Twilight Zone."

The heat is turning up for Fyre Festival with new FBI investigation

The fallout from the ill-fated Fyre Festival continues, with news that the FBI is looking into possible fraud committed by the promoters.

How teaching English in China led 'The Wall' screenwriter to big break

Dwain Worrell was teaching English in China when he submitted a screenplay through Amazon's open submission site. Weeks later he was headed back to the US with a movie deal in hand.

What 'Actually' is sexual assault? A new play explores the question of consent

Anna Ziegler's play "Actually" delves deeply into the murky territory that often surrounds the he-said, she-said accounts of a reported sexual assault.

Did Conan O'Brien steal a joke about 'shrinkage'? It may be up to a jury to decide

Tom Brady and a Washington Monument penis joke figure prominently in a joke theft accusation that may land Conan O'Brien in court.

Summer 2017 movies: Beyond 'Pirates,' 'Apes,' and 'Transformers'

The 2017 summer movie season will be dominated by sequels, but there are also plenty of promising original films to watch out for too.

John Oliver reprises his role in the revived net neutrality debate

In 2014, Oliver rallied his viewers to contact the Federal Communications Commission in support of net neutrality. With the new FCC head looking to roll back regulations, Oliver is back at it.

'BANG: The Bert Berns Story': Uncovering the legacy of a legendary R&B producer

Brett Berns makes a documentary about his dad — an influential producer who shaped the sound of pop and R&B in the '60s when the music industry resembled the Wild West.

'Dear White People' creator Justin Simien on popping the 'post-racial bubble'

The new Netflix series uses satirical, self-referential comedy to address touchy topics like race, politics and sexuality.

Roger Guenveur Smith's one-man show takes a closer look at Rodney King's life and legacy

With his fiery play titled simply “Rodney King,” actor and playwright Roger Guenveur Smith places the beating of Rodney King in a broader cultural context.

Filmmaker John Waters on 'Making Trouble,' the NEA, and bad reviews

The filmmaker has some advice for young artists: go out into the world and make trouble from the inside.

'Casting JonBenet' is a new twist on the documentary format

There have been TV movies, documentaries and docudramas made about the case, but the Netflix documentary, "Casting JonBenet," is something quite different.

John Ridley's LA Riots doc is meant to 'break hearts and lift spirits'

John Ridley's documentary, "Let it Fall: Los Angeles 1982-1992," marks the 25 year anniversary of the 1992 L.A. Riots. He says a goal of the film was to "break hearts and lift spirits."