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Host, The Frame
John Horn is the host of The Frame. He previously was a staff writer at the Los Angeles Times, where he covered the film business for more than a decade. Before joining The Times, Horn was a senior writer at Newsweek magazine, a senior editor at Premiere magazine, an entertainment reporter for The Associated Press and a television reporter for the Orange County Register. He is an honors graduate of the University of California, Berkeley, with a degree in Dramatic Arts. He is a former member of the vestry at All Saints Church and a former member of the boards of the National Arts Journalism Program and Union Station Homeless Services.
Stories by John Horn
Dwain Worrell was teaching English in China when he submitted a screenplay through Amazon's open submission site. Weeks later he was headed back to the US with a movie deal in hand.
Anna Ziegler's play "Actually" delves deeply into the murky territory that often surrounds the he-said, she-said accounts of a reported sexual assault.
Tom Brady and a Washington Monument penis joke figure prominently in a joke theft accusation that may land Conan O'Brien in court.
The 2017 summer movie season will be dominated by sequels, but there are also plenty of promising original films to watch out for too.
In 2014, Oliver rallied his viewers to contact the Federal Communications Commission in support of net neutrality. With the new FCC head looking to roll back regulations, Oliver is back at it.
Brett Berns makes a documentary about his dad — an influential producer who shaped the sound of pop and R&B in the '60s when the music industry resembled the Wild West.
The new Netflix series uses satirical, self-referential comedy to address touchy topics like race, politics and sexuality.
With his fiery play titled simply “Rodney King,” actor and playwright Roger Guenveur Smith places the beating of Rodney King in a broader cultural context.
The filmmaker has some advice for young artists: go out into the world and make trouble from the inside.
There have been TV movies, documentaries and docudramas made about the case, but the Netflix documentary, "Casting JonBenet," is something quite different.
John Ridley's documentary, "Let it Fall: Los Angeles 1982-1992," marks the 25 year anniversary of the 1992 L.A. Riots. He says a goal of the film was to "break hearts and lift spirits."
When long time movie producer got her chance to direct a film, she thought long and hard about what kind of director she wanted to be.
When it premiered in 2012, the HBO series launched what seemed like a million think-pieces. This Sunday, the show's run comes to an end.
L.A. has plenty of art museums and galleries, but The 14th Factory is something different. It's a series of installations designed to take visitors on a journey.
The film revisits a massacre in the small Guatemalan village of Dos Erres where 250 people were killed in 1982 by government soldiers.