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Host, The Frame
John Horn is the host of The Frame. He previously was a staff writer at the Los Angeles Times, where he covered the film business for more than a decade. Before joining The Times, Horn was a senior writer at Newsweek magazine, a senior editor at Premiere magazine, an entertainment reporter for The Associated Press and a television reporter for the Orange County Register. He is an honors graduate of the University of California, Berkeley, with a degree in Dramatic Arts. He is a former member of the vestry at All Saints Church and a former member of the boards of the National Arts Journalism Program and Union Station Homeless Services.
Stories by John Horn
The movie is an Academy Award favorite, but the most important thing for Hurwitz was creating a score that "sounded like its own thing."
MTV was the first big player on the music video scene. Then it was YouTube, and now Facebook wants in on the game.
The efforts of one Greek Coast Guard captain and his crew to save as many lives as possible are the subject of Daphne Matziaraki's film.
In many ways, the new FX series "Legion" feels more like a psychedelic immersion into the main character's mental landscape and less like a comic book show.
Though Adele won out over Beyoncé's more adventurous album, this year's Grammy results indicate that voters are branching out from their conservative tendencies.
Colin Hanks' HBO documentary follows the Eagles of Death Metal in the months that followed the November 2015 attacks in Paris, when 89 people were killed at the band's concert.
Most studios are exploring a future when new releases are made available to home viewers within weeks instead of months.
De La Soul's David Jude Jolicoeur and Kelvin "Pos" Mercer talk sampling, making music without a record label, and what you can expect from their new album.
Producer Dan Lin describes "The Lego Movie" as "The Matrix" for kids. Could "The Lego Batman Movie" be a PG version of "Deadpool"?
The multi-talented Lin-Manuel Miranda — “Hamilton” creator, “Moana” songwriter — discusses whether the election has changed what he wants to do with his art.
Before making "Moonlight" filmmaker Barry Jenkins only had one other feature-length film under his belt. Now, he's going through the hectic experience of awards season.
For his Oscar-nominated documentary, “I Am Not Your Negro,” filmmaker Raoul Peck used only the writer's words — either read by Samuel L. Jackson or taken from archival recordings of Baldwin himself.
A new report from USC Annenberg's Media, Diversity, and Social Change Initiative finds a startling lack of opportunity for women, and especially for women of color.
For the actor and comedian, adding a political point of view to his TV sketch show, “Billy on the Street,” was the natural thing to do.
Frame host John Horn shares updates from Park City, Utah, where the 2017 Sundance Film Festival is underway, with a focus on activism — both political and environmental.