The Frame® FOR November 19, 2018

Marielle Heller pulls off a directing feat with 'Can You Ever Forgive Me?'

The director had the unenviable task of making sure Melissa McCarthy was an unsympathetic character in the new movie; Disney's challenge to promote princesses in a changing culture. See full episode >

Recent episodes

Alfonso Cuarón digs deep into his memory for 'Roma'

Fri November 16

For "Roma," filmmaker Alfonso Cuarón meticulously recreated his childhood home and cast lookalikes to play his family, his nanny and his neighbors. He tells John Horn about mining his and others' memories to tell the collective story of his family and his nanny from one tumultuous year in the early 1970's.

José James captures the soul of Bill Withers with 'Lean on Me'

Thu November 15

José James pays tribute to singer/songwriter Bill Withers with his new album "Lean on Me."

Willem Dafoe's starry, starry turn as Vincent van Gogh

Wed November 14

The acclaimed actor takes on the role of the iconic artist in "At Eternity's Gate."

Rosamund Pike sees action in 'A Private War'

Tue November 13

The British actress plays war correspondent Marie Colvin, who died in 2012 while reporting in Syria.

Stan Lee leaves quite a pop culture legacy

Mon November 12

The comic book icon died today at the age of 95. Bob Batchelor, author of "Stan Lee: The Man Behind Marvel," weighs in on Lee's influence; singer/songwriter Mary Gauthier collaborated with military veterans for her album, "Rifles and Rosary Beads."

The revolutionary sound of The Beatles' 'White Album'

Fri November 09

New York Times pop music critic Jon Pareles on the elaborate 50th anniversary re-issue of the landmark album; Drew Love and Dante Jones are making noise as the hip-hop duo known as They; the Spanish singer Rosalía is updating flamenco.

New to The Frame®? We suggest starting with this episode.

Alfonso Cuarón digs deep into his memory for 'Roma'

November 16, 2018 For "Roma," filmmaker Alfonso Cuarón meticulously recreated his childhood home and cast lookalikes to play his family, his nanny and his neighbors. He tells John Horn about mining his and others' memories to tell the collective story of his family and his nanny from one tumultuous year in the early 1970's.